صور الالهة ورموزها على الاختام الكاشية 1595- 1160 ق م.
Abstract
Seals in both types cylinder seals and stamp, represent the most important means by which the artist in Mesopotamia implemented many of his ideas, whether those ideas were related to his everyday life or religious life, and because the gods or deities represented the main pillar in every religion, the Mesopotamian artist deliberately implemented during the Kasssaite period their images and symbols. On his artistic production in general, and on cylinder seals in particular, and in this research for which we chose a sample of seven cylinder seals, we will trace those images and symbols, and try to know their origins and implications according to the descriptive analytical approach, after mentioning the type of material used by the artist and its measurements where the seal was kept Note that the models of the Kasssaite seals and the distribution of their topics differ greatly from the seals of the previous periods, and before that we dealt with the civilized aspect of the Kasssaite period and we knew that era historically and civilized..
References
2. الأمين، محمود حسين، الكاشيون (1530- 1160)، مجلة كلية الاداب، العدد6، (1963).
3. اوتس، جون، بابل تاريخ مصور، ترجمة سمير عبد الرحيم الجلبي، ( بغداد، 1990).
4. باقر، طه، مقدمة في تاريخ الحضارات القديمة، ج 1، ( بغداد، 1973).
5. باقر، طه، مقدمة في تاريخ الحضارات القديمة، ج 2، ( بغداد، 1973).
6. رو، جورج، العراق القديم، ترجمة حسين علوان، ( بغداد، 1984).
7. ساكز، هاري، عظمة بابل، ترجمة عامر سليمان، (الموصل، 1079).
8. ناجي، عادل، الاختام الاسطوانية، حضارة العراق ج 4، (بغداد، 1985.
9. رشيد، صبحي أنور، تاريخ الفن في العراق القديم- فن الأختام الاسطوانية ، ( بيروت، بت).
10. الحسيني، عباس علي، مملكة ايسن بين الإرث السومري والسيادة الآمورية، ( دمشق، 2004).
11. لشاكري، فاتن موفق فاضل، رموز الالهة في العراق القديم، دراسة تاريخية دلالية، رسالة ماجستير غير منشورة، جامعة الموصل، 2002.
12. لابات رينيه، المعتقدات الدينية في بلاد وادي الرافدين، مختارات من النصوص البابلية، ترجمة الاب البير ابونا و وليد الجادر، (بغداد، 1988).
13. بدار، وفاء أحمد السيد، الشجرة في الفكر السومري، مجلة الاتحاد العام للاثاريين العراب، العدد 16، 2015.
1. Black, G and Green, A., Gods, Demons and Symbols of Ancient Mesopotamian, (NewYork- London, 1992),
2. Collon D. First Impressions, Cylinder Seals in the Ancient Near East, (London, 1987)
3. Porada, E., The Collection of The Pierpont Morgan, Washington, 1948
4. Sigrist, M., and Damerow, P., Mesopotamian Year Names- Neo- Sumerian and Old Babylonian Date Formulae.
Copyright (c) 2021 Al-Qadisiyah Journal For Humanities Sciences
This work is licensed under a Creative Commons Attribution 4.0 International License.
This work is licensed under a Creative Commons Attribution 4.0 International License.
1. The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Al-Qadisiyah Journal For Humanities scinces (QJHS), University of Al-Qadisiyah as publisher of the journal.
2. Copyright encompasses exclusive rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms and any other similar reproductions, as well as translations. The reproduction of any part of this journal, its storage in databases and its transmission by any form or media, such as electronic, electrostatic and mechanical copies, photocopies, recordings, magnetic media, etc. , will be allowed only with a written permission from Al-Qadisiyah Journal of Humanities scinces (QJHS), University of Al-Qadisiyah.
3. Al-Qadisiyah Journal of Humanities scinces (QJHS) , University of Al-Qadisiyah, the Editors and the Advisory International Editorial Board make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in the journal Al-Qadisiyah Journal of Humanities scinces (QJHS), University of Al-Qadisiyah are sole and exclusive responsibility of their respective authors and advertisers.
